Lit Fest 2025

What does it mean to write critically about art in fiction or creative nonfiction? How can writing about art allow us to write more deeply about character and world? How can it allow us to explore ideas in ways we might not otherwise have access to? We'll look at a number of examples in both fiction and nonfiction, from authors including John Berger and Sheena Patel. Please bring something to write with, as this talk will be centered on generative exercises.

Food connects us to our origins as well as to people beyond our immediate families. It has a language of its own, telling many stories with many ingredients—not all jolly and nostalgic but also complex and multilayered, sometimes hard and heavy. In this course, we'll gather around a table to nourish ourselves with many food stories and learn from a wide range of dishes and their narratives.

Sometimes in the effort to avoid melodrama, we avoid, well, drama. How can you create a conflict that matters to both you and your reader? We’ll discuss elements of compelling conflicts such as dilemma, inner and external struggle, conflicting codes and quests, dramatic questions, and thematic change. Come with a problem, and leave with a dramatic, story-generating conflict. Class will consist of discussion, readings, and in-class exercises.

Writers taking workshops with Steve Almond, Emily Rapp Black, Mark Doty, Danielle Evans, Amitava Kumar, T Kira Māhealani Madden, Claire Messud, Beth Nguyen, Jenny Offill, Rowan Ricardo Phillips, and Maurice Carlos Ruffin, join us on Sunday afternoon for quick introductions to your instructor and fellow classmates and a tour of the Lit Fest campus. Stay for the Lit Fest Kickoff Party!