Lit Fest 2025

You’ve nailed your opening and you have a killer ending, but what about the middle? If you can’t hold your reader’s attention in the middle, they might not make it to that killer ending. In this class, we’ll examine how to maintain literary tensions to ensure your reader keeps turning the pages, focusing specifically on the concepts of conflicts, curiosities, and clocks. Please have in mind a novel or story you're working on or that you've read and admire for its ability to keep you reading. This class will be a mixture of lecture, discussion, and generative exercises.

You finish a draft—then what? The text can seem impenetrable, but you know you need to open it to new possibilities. You can change a word, add a comma, reorder the clauses, but you know (deep down) that you’re not yet getting at what you know needs to occur in order to dramatize your idea. Noodling around on the surface won’t suffice. In this intensive, we’ll break the surface of our drafts and discover the potential for meaningful change. Writers will come away with an expanded understanding of their texts.

Working on a long poem, story, essay, play, or book? What will it take to finish? Can we do it—or at least create an actionable plan to finish—in a weekend? This intensive will provide solutions and strategies in the form of planning sessions, readings, discussions, writing exercises, charts, and other resources. We’ll cover the role of editors and feedback; myths and benefits of breaks; how to bypass blocks, fears and resistances; and where planning meets plain old knuckling down. Any genre welcome. This may be most useful for work between midway and “almost there.” Let’s find our way to the finish line together.